ACADEMIC SERVICE
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Peer-reviewer for Journal of Creative Research Methods, Policy Press, Bristol Uni Press
PUBLICATIONS
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Academic Paper- HOSPITAL NOISES: Sonic Autobiography and the Embodied Experience of Autistic Auditory Perception - A Transdisciplinary Arts-Practice Inquiry,
TBP 2026: Issue #2 - Journal of Creative Research Methods, Policy Press, Bristol Uni Press
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Poem- To Be Unmade, 11th Oct 2025, Issue#9, Indelible Literary and Arts Journal, by LABRC (London Arts-Based Research Centre) Theme: Awakening
PRESENTATIONS
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5th September 2025- Venue: MediaCity, University of Salford, Manchester, Aural Diversity Conference
Talk: The Numinous Ear: Autistic Listening and Aural Diversity as a Gateway to the Divine and Sublime: Exploring Sonic Consciousness through Phenomenology, Panpsychism, and Process Philosophy.
11th June 2025 Research Day, Manchester
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11th May 2025- Venue: University of Oxford, Oxfordshire, UK, London Arts-Based Research Centre- Sacred Arts 2025: Exploring the Spiritual Dimensions of Artistic Expression and Ritual: A Trandisciplinary Conference
Talk: The Numinous Ear: Autistic Listening and Aural Diversity as a Gateway to the Divine and Sublime: Exploring Sonic Consciousness through Phenomenology, Panpsychism, and Process Philosophy.
ABOUT
My PhD exists at the intersection of aural diversity, neurodivergence, music, film, poetic inquiry and embodied phenomenology.
Central to my approach is transdisciplinary arts-practice research as a tool for narrative inquiry. My work foregrounds subversive, experimental, and transformative artistic methodologies, where blending multiple paradigms becomes an artistic act in itself that challenges dominant knowledge-production epistemologies.
My PhD explores neurodivergent musicians' auditory realities and how these experiences are translated into artefacts using their instruments. I approach sonic consciousness as a fluid, processual experience that shifts and unfolds. My research challenges linear methodologies, embracing the relational aesthetics of lived experience to foster new ways of knowing and being in the world. Sound, as a processual material, becomes a way of interacting with both the known and the unknown, allowing us to express and explore the affective dimensions of human existence.
Sound is not a fixed entity but an ongoing agent, shaped by perception, memory, and embodied experience, that communicates the ineffable and the divine, creating spaces of metaphysical resonance and creative consciousness not communicated through rationality but through the sensory and emotional. Multimodal art practice allows the translation of multisensory experience, transcending the limits of verbal communication and offering alternative, non-verbal ways of expressing and understanding aural diversity.
My academic journey is interdisciplinary and intermodal, spanning music, broadcasting, radio, documentary film, education, psychotherapeutic counselling, and the arts. Informed by my positionality as a neurodivergent, care-experienced, mixed-ethnicity artist, my research is shaped by exploratory artistic methods that transcend conventional paradigms.

Research area interests:
I. Arts-Practice Research & Methodologies
Transformative, and subversive research-based arts practices.
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Transdisciplinary Arts-Practice Based Research
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Heuristic Inquiry & Multimodal Artistic Expressions
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De-colonial & Subversive Methodologies in Arts Research
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Embodied Approaches in the Arts
II. Aural Diversity & Sensory Agency
Sound, sensory perception, and neurodivergent auditory experiences
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Aural Diversity & Neurodivergent Auditory Realities
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Interconnection, Consciousness & Sonic Agency
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Jungian Auditory Archetypes: Symbolism, Active Imagination
III. Phenomenology & Consciousness
Perception, embodiment, and aesthetic experience
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Embodied Sound and Music Phenomenology
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Creative Consciousness in Arts Creation
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Transcendence & Immanence in Artistic Creation
IV. Mysticism, Spirituality & Embodiment in Artistic Practice
Creative practice as a conduit into inner experience and the sacred.
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The Numinous & Divine in Autistic Auditory Perception
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Creative Practice as a Path of Unknowing & Illumination
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Art as Unintentional Prayer: Devotion in the Flow of Creation
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Jungian Mysticism: Individuation, the Sacred Self & Archetypes
V. Music
Music and embodiment to express auditory realities and affective experiences.
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Embodied Music Phenomenology
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Improvisation as Method of Neurodivergent Hearing
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Composition in Expressing Autistic Musicians' Auditory Realities
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Music as Affective Embodied Experience
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The Sublime & Divine in Musical Expression & Creation
VI. Poetic Inquiry
The symbolic, poetic, and psychoanalytic to understanding myth, sound, and the unconscious.
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Reflexive Autoethnography in Autistic Auditory Experience
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Heuristic Poetic Inquiry as Method and Jungian Individuation
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Folklore, Mythology & the Unconscious
VII. Film
Documentary film for representing unheard voices and transcendent experiences.
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Film (Documentary): Observational (CV), Direct, Essayist, Poetic Forms
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Film as Resistance: Lived Realities of the Unheard
VIII. Therapeutic Arts Practice & Psychotherapy
Arts-based therapeutic practices that support healing, expression and individuation.
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Child Intermodal Psychotherapeutic Counselling Through the Arts
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Person-Centred Arts Therapy: Carl Rogers, Creativity & Actualising
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Expressive Arts Therapy: Neuroplasticity, Music & Attachment Theory
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Jungian Arts-Based Healing
XI. Identity, Intersectionality & Decolonial Praxis
Reclaiming narratives and empowering identities through artistic practices.
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Reclaiming Narrative Authority Through Subversive Creative Practice
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Excluded, Silenced, Unheard & Underexplored Communities
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The Theatrical Self: Goffman’s Metaphor and the Performance of Identity
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Care-Experienced Artists: Creative Identity, Formation & Belonging
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Racial & Cultural Identities through Artistic Expression
SCHOLARSHIPS
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PhD Studentship- The Leverhulme Trust Aural Diversity Doctoral Research (LAURA)
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BAFTA Reuben Scholarship- MA Filmmaking (Screen Documentaries) Goldsmiths, University of London.
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Honorary MA Radio Student status, granted by Emeritus Professor Tim Crook, Goldsmiths, University of London.
EDUCATION
Oct 2024 -2027:
University of Salford, Acoustics/School of Arts, Media, PhD, (Music/Film/Arts)
Leverhulme Trust Aural Diversity Research Doc Hub (LAURA)
Lead Supervisor: Ursula Hurley
Co-Supervisor: Pavel Prokopič
External Advisor: John Drever
Research Project: Sonic Selfhood: Reclaiming Music Scores- Neurodivergent Musicians' Auditory Identity Through
Transdisciplinary Arts-Based Research Practice'
This project uses transdisciplinary arts practice research to generate multilayered insight into
how autistic musicians interpret, and articulate their aural experiences through their instruments, drawing
on embodied phenomenology to render sensory perception as artistic expression
JAN 2022 – JAN 2024:
University of Greenwich, Level 7 PGCE (Further Education)
Research Project: ‘Conflicts in Neurodivergent Learning in Educational Institutions’:
Explored systemic conflicts between institutional practices, work culture and policies promoting neurodivergent learning, highlighting issues such as autistic tokenism, spatial design and internal politics and funding in (FE) colleges hindering support for autistic learners and staff, emphasising the impact of institutional cultural barriers on policy implementation.
SEP 2018 – AUG 2020
Goldsmiths College, University of London, BAFTA Reuben Scholarship,
MA (Masters) in Filmmaking (Screen Documentaries) (First term in TV Journalism)
Research Project: "Silence"
A documentary exploration of why British Black heterosexual men are ignored over their experiences of mental health, abuse and suicide. It explores how society willfully overlooks these experiences, perpetuating a cycle of silence and invisibility through socially pressured masculinities.
SEP 2018 – AUG 2020
Goldsmiths College, University of London, Honorary MA Radio student
Granted by Emeritus Professor Tim Crook, Goldsmiths, University of London
SEP 2016 – JUN 2017:
University of Cambridge, PGCert, Child and Adolescent Psychotherapeutic Counselling
Research Project: "Does Metaphor Help Us Understand What A Child's Emotional World Of Parental Mental Illness Through Art?: A Case Study Of Non-Directive Sessions With A Young Carer"
Explored how child clients aged five who were primary carers to parents battling mental illness communicated their emotional experiences through artistic expression. The case study involved non-directive counselling sessions and employed interpretative analysis of metaphors and symbolic representations present in the child's artwork to gain further insights into how children internalise and process the complexities of their caregiving roles and how this impacts their emotional landscape in relation to parental mental health challenges and their lived realities.
Sep 2009 – JUNE 2012
Goldsmiths College, University of London, BA Sociology
CPD
SEP – NOV 2023: TEFL UK, Advanced 150 hr Certificate in Teaching English In A Foreign Language
MAY – JUNE 2023: TQUK, Level 2 Certificate in Special Educational Needs and Disability
TEACHING EXPERIENCE
With over five years of experience, I have taught a diverse range of subjects including Music, Social Sciences, Media, PSHE, and Humanities. My instructional style is primarily rooted in constructivist and humanistic methodologies, emphasising student-centred learning, critical thinking, and personal growth. However, I occasionally integrate behaviourist strategies for deadlines and structured learning outcomes.
I have taught across diverse educational environments, including secondary schools, alternative education provisions, and Further Education (FE) colleges. I have experience working with neurodivergent (SEND) learners and individuals with Specific Learning Difficulties (SpLD). This has developed my skills in adaptive teaching and creating inclusive learning environments.
I have been a Course Leader and lecturer for several courses, including Access to Psychology, Access to Psychology & Education, Access to Social Sciences and Humanities, UAL Diplomas in Creative, Performing, and Production Arts Department, BTEC Health & Social Care, GCSE courses in Religious Studies, Art, Music, History, and the Level 2 Vocal Artist RSL Diploma. My diverse subject specialisms and adaptable pedagogical approach enable me to effectively engage and support a wide range of learners in different educational contexts.
